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Rouhollah Shamsizadeh

January 14, 2025Admin

Rouhollah Shamshizadeh Maleki is a multidisciplinary artist and researcher born in 1978 in Iran, Malekan. He holds a Ph.D. in Art Research and an M.A. in Painting from the University of Tehran, as well as a B.A. in Sculpture from the Tehran University of Art. His fourth solo exhibition, titled “Speaking with Twenty Mouths,” was held at Aria Gallery in February 2023.

Shamshizadeh’s background in sculpture has provided him with the ability to utilize the formal capabilities of material, geometry, and construction. His recent body of work has been shaped by his attention to inter-media relationships and conceptual components, drawing on contemporary approaches to the creative process.

In the two series “Content Display Device” and “64 (Hexagon),” Shamshizadeh’s focus extends beyond the artisanal aspects of material construction and control to challenge the narrative-based performative aspects of the artwork, transforming them into volumetric propositions.

In addition to his participation in national and international exhibitions and events, Shamshizadeh has experience teaching and exhibiting at art centers and universities such as the Sculpture Department of Tehran University of Art and the specialized classes of Aria Academy. He has also served as a member of the selection and jury committee for various art events, as well as a member of the board of directors and secretary of the 10th Iranian Sculptors Association and president of the 12th board of directors of this association.

Rouhollah Shamsizadeh

Rouhollah Shamsizadeh's artworks:

Content Display Machine ”In Praise of Repetition”

  1. Content Display Device

Content display is an integral part of mechanisms, devices, and apparatuses; the content display machine changes the display method by rereading and analyzing texts, events, documents, etc., with Cross-media transformation. In this process, the decrypted documents themselves are transformed into other code sets, and the temporal and spatial space of the text or object is redefined in a new historical and geographical context. Disrupting the reading of documents and preventing the audience from accessing the content of the statements defines new coordinates, and the work becomes a visual object in its own right as a “counter-statement”.

  1. In Praise of Repetition

It is said that Ibn Sina read Aristotle’s Metaphysics (Ma’bad al-Tabi’ah) forty times, and finally understood it by reading Abu Nasr al-Farabi’s book Agharez. Racine with Euripides, Bossuet with Tertullian, Rousseau with Amyot, Boileau with Horace and Juvenal; Demosthenes transcribed Thucydides eight times and Huet read Tacitus fifty-two times, Haydn regularly repeated six of Bach’s sonatas, and Michelangelo was constantly repeating a bust.

3. Artwork Specifications

Description:

The artwork titled “In Praise of Repetition” is a content display machine created by the artist Roohollah shamsizadeh  Malaki. Written and pictorial information is first transferred onto canvas and then becomes inaccessible to the viewer by means of a metal sheath and is transformed into a mechanism

Materials:

  • Canvas
  • Metal
  • Mechanical screw and bolt connections

Dimensions:

  • Approximate size: 6 x 50 x 95 cm / 6 x 30 x 45 cm

Installation:

  • Suspended from the ceiling like a horizontal chandelier

References:

  • The Ignorant Master (Five Lessons in the Liberation of Thought) by Jacques Rancière
  • The Emancipated Spectator by Jacques Rancière
  • Télémaque by François Fénelon
  • Iliad and Odyssey by Homer
  • قابوسنامه by Kaykāvūs ibn Iskandar
  • Meditations by Marcus Aurelius
  • The holdovers , written by David Hemingson
Rouhollah Shamsizadeh's artworks
Rouhollah Shamsizadeh's artworks
Rouhollah Shamsizadeh's artworks
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